Rubber

Thousands of rubber bands are chained together and looped onto a circular form. This work explores themes of transformation, renewal, and material memory. Processed rubber is reconstructed into the likeness of a latex tree, suspended by gravity rather than growing against it. Links reflects on the weight of change and invites viewers to consider what it means to evolve at a cellular level.

Despite transformation, materials retain traces of their origins. Through repetition and accumulation, the rubber bands are woven into a new structure that simultaneously conceals and reveals its source. The work suggests that change is not a complete departure from what came before, but a continuous process of becoming. Embedded within the material is a memory of its former state, allowing it to express both its transformation and its origins at once. In this way, the piece considers how identity persists through cycles of adaptation, growth, and renewal.

Plastic

We compartmentalize childhood memories, placing them into neatly defined spaces within our minds. Yet as we grow, these memories become enveloped in a whirlwind of possibilities, expanding beyond the boundaries we assign them. While logic encourages us to separate past from present, memory often resists such distinctions, existing instead within a frosted haze where time and experience overlap. Imagination operates within this same space, blurring the line between what was, what is, and what could be.

Wood, Paper, PVC

Noise echos through materials of this expressive, set stage. The marks hold evidence of performed sound relaying bold strikes of the foot. The mind actives its movement.

Plaster

A casting of the artist’s foot. The tread of their boot. One form remains concealed while the other records its movement through the world. Though distinct in appearance, the two are intimately intertwined, each shaped by the presence of the other. The piece explores the relationship between the body and the objects that support it, considering elements of familiarity and repetition.

charcoal

Writing and Charcoal rubbing digitally collaged with drawing to be displayed in tandem with plaster sculpture.

Plastics

This installation uses flowing plastic forms to evoke ocean currents and engulf the viewer. By exaggerating the presence of accumulated waste, the work highlights the scale of plastic pollution in marine environments.